The standard for professional wireless, for 55 years. Film sets, Broadway stages, broadcast trucks, legislative floors. Our systems carry the audio that can't be redone, designed and built in one building in New Mexico.
Walk onto a film set, a broadcast truck, or a Broadway wing and our gear is already there, in the bag, doing its job without being noticed. That is the point. We have spent five decades making wireless that earns trust the slow way, through the work, not the marketing.
The 55-year storyTransmitters, receivers, IEM and microphones engineered as one system. Here is where the line is headed in 2026.
A lightweight RF-bias shotgun that holds its pattern in wind and cold, finished in the blue we have signed our work with for decades. Designed for the boom op who carries it all day and forgets it is there.
Dawn call, fading light, a scene that cannot be reset. That is the job the gear is built for, and the reason it rides in the bag.
For years, sound mixers have sent us the photos. Gear that went into a river, a desert, a potato cannon, a car crash, and kept transmitting. These are their stories, not ours.
A two-week shoot at altitude with no road to the set and no second chances on the audio.
What it takes to keep a dozen channels clean when the weather has other plans.
A hearing-impaired mixer who reads the meters and trusts the rest. The transmitter has never let him down.
Where our gear shows up, and what we are shipping next.
The Oscar-nominated production sound mixer on holding a kitchen at full boil, a dozen channels deep, with no take he could afford to lose.
Read the storyThe Three Musketeers and The Count of Monte Cristo, shot across France. How the audio held through the weather and the scale.
Read the storyThe smallest, quietest microphones we have built, plus a new IFB base station. Shown this year.
See what's newFull-range digital audio carried over a clean analog link. The method the rest of the industry chased, still in the bag today.
Reception engineered for the back lot and the far corner of the stage, not the quiet of a lab bench.
Every product designed, machined and assembled in Rio Rancho. Nothing offshored, nothing outsourced.
Firmware, manuals and frequency coordination kept current for gear that is still working a decade on.