S1
A lightweight RF-bias shotgun that holds its pattern in wind and cold, finished in the blue we have signed our work with for decades. Made for the boom op who carries it all day and forgets it is there.
The mic on the end of the pole has one job.
Reach the actor, reject the room, and do it the same way on take twelve as it did on take one. The S1 is a short shotgun, light enough to swing all day, with a pattern that stays tight when the wind picks up and the temperature drops.
It is an RF-bias capsule, so damp air and cold mornings do not turn it noisy the way a standard condenser can. That is the difference between a usable track and a reshoot.
Specifications.
The figures that matter to a mixer, stated plainly. Full electrical detail lives in the datasheet below.
Built for the boom, the bag and the rig.
One capsule, three places it earns its keep.
Film & TV
On the end of the pole, reaching dialogue over a wide set while keeping the room and the crew out of the track.
Documentary & ENG
Light enough for run-and-gun, with a pattern that holds when there is no time to fuss the placement.
Theatre & live
Overhead and area miking where the source moves and the mic has to stay pointed and quiet.
Downloads & firmware.
Everything you need to spec, deploy and keep the S1 current. No login, no gate.
Wiring & accessories
The rest of the chain.
A shotgun is a capsule. Carry it on a plug-on or pair it with a lav for the close work.
